The Tech in My Life #1 – Telstar!

This week’s blog is the first in a series on key technology that has helped to shape my life. It will be a very personal perspective, and obviously it can’t capture every tech development, interface or environment that I have engaged with. But as I hope to establish, my selections do reveal three recurring themes: information, communication, and music. These threads should become apparent in the coming weeks.

First up is a record, “Telstar”, released by The Tornados in 1962.

I have blogged about this record before, mainly from a musical perspective. But as a tech artefact it also provides other context.

It is probably the first 7″ vinyl record that I can recall hearing – and certainly one of the only pieces of music from my early childhood that remains both familiar and intriguing to this day. Maybe it was also the first record I got to play on the family Dansette myself, so there is a reinforced tactile connection with the record as a “data object” and the gramophone player as a “playback device”. And while the tune itself is relatively simple, the arrangement and recording techniques reveal a lot more depth than a normal pop record. For a start, the choice of electronic keyboards, and the treatment of the electric guitar give it a suitably unworldly atmosphere.

More specifically, and without my realising it at the time, it is probably my earliest experience of musique concrète. I distinctly remember putting my ear as close to the speaker as possible to absorb the opening passage of Joe Meek’s sound effects, tape manipulation and general studio wizardry. What were these strange noises? Why did they fascinate me? Was it really music, or was I hearing something else entirely, like signals from outer space?

Which is exactly the point, as “Telstar” is named after the communications satellite of the same name. Leaving aside Joe Meek’s fascination/obsession with spiritualism and the occult, he was something of an autodidact in the studio – if he needed a particular effect (“what would a satellite signal sound like?”), he would create or improvise from whatever technology was to hand (primitive or otherwise).

In coming weeks, the significance of “Telstar” (the satellite) on my childhood will emerge. But if I was ever invited to appear on “Desert Island Discs”, I’m certain that “Telstar” would be included in my playlist of 8 records.

Next week #2: Goonhilly

 

 

Situationists Vacant

Final selection from my mixtape collection is “Situationists Vacant”, the title of which was inspired by an exhibition at London’s ICA in 1989.

Echoing the previous mixtapes in this recent series of blogs, the track list is totally instrumental, apart from the exotic countertenor of Wim Mertens, and the wonderful spoken word piece by Quentin Crisp. No doubt he would be apoplectic at today’s youth, playing music on public transport without the use of headphones; at the constant use of tacky backing music in TV “reality” shows; and at the over-driven use of percussive SFX in most blockbuster movies. But I digress….

Mostly recorded in the early- to late-1980s (with a couple of throwbacks to the 1970s and 1960s), this is my kind of mood music, unconcerned with the charts or music categorisation. As well as polymath Brian Eno, there are several minimalists and composers in the modern classical style, plus artists that were loosely connected to the early 80s “quiet is the new loud” ethos – Microdisney, Felt, The Durutti Column and Virginia Astley (all of whom I had the privilege to see in concert). Overall, there are more keyboards than fretboards.

It’s worth noting that my first exposure to some of this music came via a couple of influential compilation albums – “From Brussels With Love” and  “Pillows & Prayers”.

Finally, observant readers will have noticed a few artists have appeared on more than one of these mixtapes (in some cases, the same tracks), which is probably testament to how much I like them. I also realise that I may have breached a mixtape cardinal sin, by sequencing two consecutive tracks by the same artist – I can only think it was because they flowed better that way?

Anyway, enjoy some mellowness:

Side A:

  1. Mark Springer – Krix
  2. In Embrace – Tickling The Ivories
  3. Harold Budd – Children On The Hill
  4. Piero Milesi – Modi 2 (Extract)
  5. The Durutti Column – Lips That Would Kiss
  6. Wim Mertens – Hirose
  7. Michael Nyman – In Re Don Giovanni
  8. Brian Eno – Through Hollow Hands (For Harold Budd)
  9. Soft Machine – A Certain Kind (ending)
  10. 10 The Durutti Column – For Belgian Friends
  11. Virginia Astley – With My Eyes Wide Open I’m Dreaming
  12. Virgina Astley – A Summer Long Since Passed
  13. Brian Eno – Sparrowfall (3)

Side B:

  1. Mark Springer – Slipping In Between
  2. Devine & Statton – You’re Almost There
  3. The Durutti Column – Prayer
  4. Felt – Candles In A Church
  5. Felt – Ferdinand Magellan
  6. Microdisney – Michael Murphy
  7. Microdisney – Patrick Moore Says You Can’t Sleep Here
  8. Barry Adamson – Everything Happens To Me
  9. The Yardbirds – White Summer
  10. Virgina Astley – The Nursery At The Ned Of The World (from Melt The Snow)
  11. Brian Eno – Another Green World
  12. Penguin Cafe Orchestra – The Sound Of Someone You Love Who’s Going Away And It Doesn’t Matter
  13. The Durutti Column – Madeleine
  14. Brain Eno – Sparrowfall (1)
  15. Quentin Crisp – Stop The Music For A Minute

Next week: A Post-Punk Playlist

 

Dance & Dream

Number 3 in this series of recently rediscovered mixtapes is “Dance & Dream”, which I must have compiled in late 1987 or early 1988 (judging by some of the original release dates). It was the era when indie music (especially shoe gaze and dream pop) was starting to cross-pollinate with dance music (notably hip-hop, house and techno) – epitomised by the double A-side single by M|A|R|R|S combining “Pump Up The Volume” and “Anitina”.

This was the dawn of the UK’s Second Summer of Love, Acieeeed House, Madchester and Baggy, before things calmed down again with chill out, trip hop and ambient electronica. Notably, at Glastonbury in June 1987, New Order set a standard of sorts, when they incorporated a huge laser display into their night-time set, and showed that it was possible to use sequencers in a concert setting, cementing their reputation for bringing guitars and electronics together on the dance floor.

By today’s standards, some of the sampling and 12″ remixes might seem a little quaint, but overall I don’t think these records sound too dated – certainly, there’s not many DX7 and Fairlight synth sounds, or over-used Linn Drums.

But three tracks that still sound remarkable are “In My Garden” by Swans, “Haunting” by A.R.Kane and “The Stonecutter” by Flux of Pink Indians. Fabulous stuff.

Get your groove on here:

Side A:

  1. Eric B & Rakim – Paid In Full (Seven Minutes of Madness – The Conduct Remix)
  2. Spoonie Gee – The Godfather (Remix)
  3. M|A|R|R|S – Pump Up The Volume (12″ Remix)
  4. The Beatmasters – Rock Da House (Club Mix)
  5. Prince – Sign O’ The Times (LP version)
  6. King Sun & D Moet – Hey Love (Full Length)
  7. Shinehead – Billie Jean/Mama Used To Say (12″ Medley version)
  8. Hotline – Rock This House (The Music)

Side B:

  1. New Order – Touched By The Hand Of God
  2. Sugarcubes – Birthday
  3. Cocteau Twins – Love’s Easy Tears
  4. Swans – In My Garden
  5. Die Haut – Der Karibische Western
  6. M|A|R|R|S – Anitina (The First Time I See She Dance) (Remix)
  7. A.R.Kane – Haunting
  8. Flux Of Pink Indians – The Stonecutter
  9. The Durutti Column – What Is It To Me (Woman)
  10. New Order – Touched By The Hand Of Dub

Next week: More unearthed mixtapes

 

Driving Away From Home

Another mixtape I recently re-discovered from the late 1980s was “Driving Away From Home”, compiled for my father who at the time was making a lot of road trips for work. The tape was named after the one-hit wonder by It’s Immaterial. In this case, I chose the demo version, rather than the commercial hit, as I felt it evokes more pathos. There’s also an in-joke as the lyrics mention the M62 motorway, which was a frequent route my father would have driven.

I have no idea whether he ever played it in the car – certainly, it wouldn’t have been his normal choice of listening! But I know he liked instrumental pop music, based on some of the old 45’s in his record collection. (Many of those 7″ singles came from his time doing National Service in Germany in the late 1950s.) And in the late 1960s, his work used to take him to an E.M.I. factory, so on some Friday evenings he would come home with the latest single by The Beatles.

I also recall that as a child, we had a copy of “Telstar” by The Tornados in the house, which got played frequently. Hence Side A predominantly features instrumental tracks, including lots of twangy guitar, with road and travel related songs on Side B.

Like last week’s featured mixtape, there is an overall sense of melancholy. Another connection comes in the form of cover versions of two of the previous songs: “By The Time I Get To Phoenix” (from early in Nick Cave’s cross-over period from outsider to mainstream artist), and “Song To The Siren” (attributed to This Mortal Coil, but to all intents and purposes a Cocteau Twins track).

I’ve also had the privilege of seeing most of these bands and artists in concert – unlike last week’s tape, where Nico was the only one. That isn’t too surprising, given the time difference between the song selections, and the proliferation of dead musicians. But it also reminds me that the 1980s wasn’t all synth pop, New Romantics, grunge and stadium rock.

Some of this music has never made it to the digital age, so Shazam wasn’t always very helpful in identifying the obscurer tracks which I no longer have on vinyl. But why not take this playlist with you on your next road trip!:

Side A:

  1. The Durutti Column – Sketch For Summer
  2. Felt – Candles In A Church
  3. Felt – Ferdinand Magellan
  4. The Smiths – Oscillate Wildly
  5. The Smiths – The Draize Train
  6. Lloyd Cole & The Commotions – Perfect Blue (Instrumental)
  7. The Monochrome Set – Andiamo
  8. Yeah Yeah Noh – Penetration
  9. Biff Bang Pow! – The Whole World Is Turning Brouchard
  10. Virginia Astley – Bell Of New York (from Melt The Snow 12″)
  11. Brian Eno – Sparrowfall (1)-(3)
  12. The Durutti Column – Prayer
  13. Laraaji – Meditation #2 (edited version from “Angels In The Architecture”)

Side B:

  1. Echo & The Bunnymen – Bring On The Dancing Horses (12″ version)
  2. Nick Cave & The Bad Seeds – By The Time I Get To Phoenix
  3. The Woodentops – Plenty
  4. The Mighty Lemon Drops – Splash #1 (Now I’m Home)
  5. The Shop Assistants – Somewhere In China
  6. The Go-Betweens – Cattle & Cane
  7. It’s Immaterial – Driving Away From Home (4-track demo version)
  8. Microdisney – Loftholdingswood
  9. This Mortal Coil – Song To The Siren
  10. The The – Uncertain Smile
  11. Yello – Lost Again

Next week: More unearthed mixtapes