Just as we were starting to think that Australia has largely beaten Covid, the past few weeks has seen the topic heat up again on a number of fronts, especially the thorny issue of border control.
First, a series of community outbreaks in and around Brisbane, Sydney and Melbourne were all traced back directly or indirectly to returning overseas travellers. This again brought the hotel quarantine programme into the spotlight – and given the poor record of Victoria’s HQP management (which led to the Stage 4 lock-down for much of last year, as well as causing several hundred deaths among aged care residents), State Governments are under increased scrutiny not to stuff it up (again).
Second, there are something like 35,000 Australian citizens living and working overseas who are still trying to get home. Since many of them are based in countries with escalating infection rates (and extra-contagious strains of Coronavirus), it’s no wonder there is a lot of circumspection about bringing them back in a hurry. While I have a lot of sympathy for those expats who are stranded overseas, at the same time, they went abroad by choice. There is always a risk that international travel can be disrupted, as we have witnessed with increased regularity over the past 20 years, thanks to terrorism, volcanoes, tsunamis and geopolitical events. However, this has not stopped some expats complaining that their fellow Australians don’t want them back; some have been highly critical of this “smug” attitude: “we’re all right, but you can stay away and fend for yourselves”.
Third, the latest domestic border closures left numerous Victorian residents stuck in NSW. Many of them had only recently managed to travel interstate for the holidays, having just emerged from months of local lock-down. No doubt some of those affected may have a bit more sympathy for those Australians stranded abroad?
Of course, all these border restrictions might not be so hard to stomach if we didn’t have the spectacle of professional sports players being flown in (specially from overseas) to hit a few balls around. The fact that one cohort of these international visitors has managed to bring Covid back into the country is not helping. Nor the fact that a few of these over-paid sports “stars” and their partners appear to be acting like spoiled brats as they endure quarantine in 5-star hotels…..
Talk about being ungrateful.
Next week: The Day That Can’t Be Named…
As Melbourne and Victoria continue to emerge from lock-down, it was great to see that the NGV International has re-opened for the summer with the latest edition of its Triennial show. And while we should all be grateful to have the opportunity to visit this exhibition in person (rather than on-line), it’s not without some shortcomings.
First, the good news: no doubt it was a logistical headache to co-ordinate this exhibition while Melbourne was in strict lock-down for much of the past 10 months. Making admission free is also a wonderful public gesture given that the local population was starved of art exhibitions for most of last year – in particular, we missed out on the NGV’s winter blockbuster season.
The curators are also to be commended on assembling a diversity of artists, work and media; and for placing a great number of these new pieces among the NGV’s permanent collections, which forces visitors to assess these contemporary exhibits within the context of historic work.
But that’s probably where the positive ends.
A major drawback of this exhibition is the lack of anything truly ground-breaking, innovative or even challenging. It all felt very safe – but maybe that’s just what we needed after our extended social isolation: work that is comforting, familiar, cozy, cuddly, soothing, and certainly bright (lots of lively colours).
As a result, however, there seemed to be an emphasis of form over substance, technique over content, and scale over context. Much of the three-dimensional work felt flat and one-dimensional. Even the opening centrepiece, Refik Anadol’s “Quantum Memories” that dominates the entrance lobby, is a classic example of the “medium is the message”. Comprising a giant digital screen (incorporating a clever trompe-l’œil 3-D effect) to stream animated, computer-programmed images, ultimately gave the impression that this was all about the technology and the scale of the work. It was difficult to identify any meaning beyond mere decoration.
And unfortunately, “decorative” was a recurring theme, alongside some rather kitsch and lazy imagery – especially the digital and animated wallpaper that featured in several of the permanent galleries. These “displays” reminded me of cheesy son et lumière or pedestrian CGI effects – it may be technically adept, and even stylish to some degree, but that’s as far as it goes. Perhaps “deep” and “complex” are out of favour at the moment, as we make way for “shallow” and “simple”.
While some work might attempt to convey a more profound response, when shorn of its original context, the message is lost and the result is a void. I wasn’t necessarily looking for “deep and meaningful”, but I was hoping to be provoked or inspired. Or at least have my curiosity piqued.
Triennial? Could try harder.
Next week: Expats vs Ingrates?
Just when we thought it was safe to go out and about, Covid19 has once again put much of Australia on high alert, following the latest virus outbreak in New South Wales. And with impeccable timing, this cluster has emerged only a few days before the Christmas holidays – peak super-spreader season. On top of the months of lock-down, working from home, toilet paper shortages, job losses, food deliveries, economic disruption, closed borders, non-stop streaming, social distancing, restricted movements, panic buying, mask wearing, night-time curfews, Zoom calls, on-line shopping, cancelled events and home-made entertainment, we now have the prospect of a muted festive period. Like most people, I will be glad to see the back of 2020 – not that 2021 will necessarily be a whole lot better, given the ongoing rates of infection around the world, and the other knock-on effects of the pandemic.
Overall, I can count myself fortunate to have had a “good pandemic” – I managed to keep working from home, I don’t work in any of the front line sectors (health, education, hospitality, logistics, tourism), I live close to public parks and open spaces for daily exercise, and none of my immediate family or circle of friends caught the virus (although I have spoken to a number of people who were not so lucky). However, my travel plans were severely disrupted, so I have been unable to see any of my family overseas, and the prospect of visiting them in 2021 still looks remote.
As I write, the Report into Victoria’s failed Hotel Quarantine Program has just been released. The findings conclude that no single person was responsible for the ill-fated decision to engage private security firms to enforce the quarantine restrictions (which in turn led to Victoria’s second wave and Stage 4 lock-down for over 100 days). Instead, the Report underscores the notion of “acquiescence” (and “creeping assumptions“) – and of course, the failure of governance and proper decision-making.
The significance of this Report is now being brought into stark relief in light of the latest NSW outbreak – which appears to be as a result of a breach in hotel quarantine measures. Having read the Executive Summary, it’s clear that respective Victorian government departments and agencies charged with implementing and managing the HQP did not understand their specific roles and responsibilities. Regardless of the decision to engage private security firms, it seems that the procurement process was seriously flawed; and even if the Department of Jobs, Precincts and Resources was not at fault in how it hired certain private-sector security firms, it’s a serious oversight (and failure of process) that neither it nor the Department of Health and Human Services were fully aware of who was accountable for monitoring these contractors.
Of course, the ramifications of the US Presidential Election and a no-deal Brexit are still playing out – and the New Year is unlikely to bring immediate closure. For myself, I am lying low and staying close to home during the Saturnalia celebrations. As the above photo suggests, my plans involve nothing much more than catching up on my reading, and exploring my wine collection. Consequently, this blog will be taking a break for a few weeks, but I trust that this holiday season will bring a welcome respite from the events of 2020 for you and yours. Thanks for reading.
Next: The NGV Triennial