Same, same – but different?

At the time of writing, Melbourne and the rest of Victoria are waiting to know when (if?) the current lock-down will be lifted.

Just to recap: Melbourne is presently in its sixth shut down since March of last year, and the fourth so far of 2021. All combined, Melbourne has now clocked up more than 200 days under lock-down. The present measures were introduced on August 5, originally scheduled to last one week, and came barely a week after the previous lock-down ended. Lock-down #6 was soon extended by another week, and then by another two weeks, and will now extend beyond September 2. This is not counting the “stay at home” directive that was in place for most of 2020, along with the various limits and restrictions on social interaction, workplace capacity, public gatherings, hospitality, events, sport, gyms, retail, schools, funerals and weddings. We also have a night-time curfew for good measure.

The following two pictures convey similar human sentiments, but they also represent very different responses to the situation we are living under. One is an example of the numerous messages of hope and encouragement that I see around my neighbourhood on my statutory daily walks. The other is a discarded placard seen a few days after an anti-lock-down protest.

The first reflects a “let’s grin and bear it” attitude – nobody likes being in lock-down, but we are all in this together, and if we can just remain positive, we will come through it OK.

The second is more reactive, and emotionally charged – the enforced isolation brought on by the lock-down is having an enormous effect on peoples’ mental health.

It’s hard to argue with either message….

I thought I would be able to cope better with each successive lock-down. Building a daily routine, maintaining some physical discipline (courtesy of the permitted daily exercise), managing at least 2-3 AFDs per week, treating myself to a nice restaurant-prepared meal now and then, catching up on films that I didn’t get to see at the cinema. But despite the recurring groundhog scenario, this lock-down seems different, and much harder to manage mentally.

First, the uncertainty of when it will end creates a sense of dread that we could be like this for 100 days or more (like lock-down #2). Second, the daily drip feed of data and the endless press conferences only reinforce the sense that we are not being given the full picture. Third, the sense of helplessness that for all our individual sacrifices of the past 18 months, we don’t seem to be any further ahead (if anything, we have gone backwards on so many counts). Fourth, State politicians seem to view this public health scare as a war of attrition between themselves and the voters (and their interstate and Federal counterparts). Gone is any sense that we are all in this together.

Quite apart from the cracks in Federation that the pandemic and its response has exposed, entire sections of the community are being driven apart and/or pitted against one another. Despite the so-called “National Plan” that the Commonwealth, State and Territory governments have all signed-up for, it’s clear that individual Premiers each reserve the right to interpret it differently, and will continue to impose internal border closures if they see fit. So, while Victoria and New South Wales seem aligned on this National Plan, Western Australia and Queensland in particular are more circumspect. Then there is the “race” to vaccinate their respective populations (or, as has been said a few times already, “our State citizens”, rather than “our Commonwealth citizens”).

At what point will the 70% and 80% vaccination levels be achieved to herald the promised social and economic freedoms? Is it the % of total population, or only the adult population, or only the eligible population, or only those between certain ages? Is it going to be calculated Federally, or at the State/Territory and/or LGA level? What about mandatory vaccinations for essential and front line workers, and those that have face-to-face dealings with the public? What about employers who require their staff to be fully vaccinated, but face resistance from unions?

Continued lock-down risks becoming a blunt instrument, and a tool of first (rather than last) resort. As such, it also risks alienating the majority of the population who are doing the right thing, in observing the public health directions and getting vaccinated (like, where’s the benefit?). And a prolonged lock-down risks undermining the efficacy of the vaccine, so we’ll need booster shots before we know it!

It seems that Covid19 is challenging our notions of the social contract between the government and the governed, and even testing the social license to operate we grant to big business (especially monopolies and cozy duopolies). The pandemic is also demonstrating the limits of individual responsibility and accountability, and potentially undermining the duty of care we owe to one another. If I knowingly, recklessly or carelessly (and as a result of breaching public health orders or OH&S measures) infect my family, my neighbour, my colleague or my customer, am I culpable? Does that mean I forfeit certain of my rights, especially if infection leads to death?

Just on the data, another reason the current lock-down seems different is because the information is being presented is not the same. Last year, everything was about the R0 number, flattening the curve, and “double-donut days”. There was also confusion over agreed terminology for “clusters”, “unknown cases”, “hot spots”, “red zones”, “complex cases” and “linked cases”. Politicians and bureaucrats talked about “settings”, “circuit breakers”, and “gold standards” for contact tracing. This year, it’s all about the “number of days infected”, “chains of transmission”, “mystery cases”, as well as the number of tests and vaccinations – much less analysis, it seems, on the number of confirmed cases per 1,000 tests or per 1,000 of the population, recovery rates or deaths as a percentage of cases.

From what I can glean, the stubborn levels of “mystery” cases can only be explained by the following:

  • more asymptomatic cases (are people building natural immunity?);
  • legacy cases shedding (a result of long Covid?);
  • longer incubation (and reporting) periods (less obvious initial symptoms?);
  • novel forms of transmission (or the virus is lingering longer on outdoor surfaces?);
  • QR codes and contact tracing not working (or the data is not usable?);
  • confusion over domestic/social/workplace/health/retail settings (e.g., extended families and multi-generational households?);
  • people being unclear about their movements (for fear of being victimised?).

Finally, I’m also not sure if lessons are being learned from elsewhere. We are still applying 14 day quarantine/isolation periods (albeit now with a day 17 test), yet in Hong Kong, for example, quarantine was extended to 21 days some time ago.

Next week: To be or NFT?

 

Startupbootcamp Sports & EventTech Demo Day 2021

I have to admire the resilience and perseverance of startup entrepreneurs, who continue to build their businesses in the face of lock-downs, travel restrictions and associated economic challenges. Starting a new business is hard enough at the best of times, let alone during a global pandemic. The latest installment of Startupbootcamp‘s series of virtual Demo Days was another example of how founders and their teams have just knuckled down and got on with the job – this time, in the area of Sports and EventTech.

The 10 startups featured a mix of market places, content creation and distribution platforms, coaching and performance services, and fan engagement. In alphabetical order, they were (links in the names):

Atlas Coaching

Founded by and for women, this is a digital coaching service designed to provide better access to (and feedback from) professional athletes and quality coaches. This is one way to help female athletes offset the costs of being a professional (as well as help pay for their own coaching). A good example where the gig economy meets digital delivery.

CityGuyd

An app that brings AR into sporting events and tourism, to offer an enhanced fan experience and match-day activities, through virtual city guides, which could be presented by professional sport stars who are competing in the event you have come to see. For organisers and venues, the app provides great data on attendees. Offered as a
white label solution plus SDK.

Famecast Media

Designed as an all-in-one content platform, it connects creators and consumers – not just in sport coaching and training, but across music, education, hobbies, well-being and fashion. The founders reckon that creators spend 70-80% of their time on the tech, and only 20-30% on monetizing their content. A huge challenge is that disparate digital tools don’t play nicely together…. The suite of services combines content, streaming, ticketing, branding and merchandising – all built on a commission and revenue share model.

Full Venue

Presenting itself as a data analytics and AI platform for events and venues, the founders see the current pandemic as an opportunity for new business, as economies start to open up and fans want to return to live events. Using AI-based marketing tools, it claims to predict the likelihood of a fan making a purchase (both tickets and merchandising. Again, uses a revenue share model based on a % of the sales generated.

Homefans

This marketplace connects communities of fans who are traveling to attend events and watch live sports, with local fans and supporters. The latter can offer access to local experiences that visitors might not otherwise be aware of. Describing itself as “like Airbnb for Sports Experiences”, the platform takes a 20% commission fee.

PromoShare

Described as a “monetized fan community”, this platform enables organizers and promoters to realize the value of “billions” in unsold tickets for sports, events and concerts. Using primarily word of mouth, fans get to sell unsold tickets on behalf of the events – a form of “social buying”. It integrates into major ticketing platforms, and has proven that fan-generated content can directly lead to ticket sales, by offering the “ambassador” fans access to rewards and other engagement incentives.

refbook

According to the founders, managing sport officials is currently unsophisticated and disconnected, and lacks adequate no digital solutions. This is intended to be an holistic platform to help officials, and leagues co-ordinate, recruit, manage and process payments. With 200+ clients already on-board, the team must be doing something right! (It wasn’t clear from the pitch whether refbook can handle training, certification, accreditation and disciplinary aspects of officiating.)

Row Nation

The only startup here that is directly supported by the relevant sports body, this is a platform for indoor rowing (of which there are apparently 4+ million participants in Australia. Backed by Rowing Australia, it is positioning indoor rowing as a major
e-sport (“like Peloton for rowing”), and a significant part of the digital fitness market. Combining “community, connection, and competition”, at its core is the ability to track and compare personal performance.

SportMatch

A platform the early identification of future sporting talent, which, according to the founders, is currently a slow, sporadic and long-winded process. This solution uses predictive analytics based on measurements and movement, and takes an evidence-based approach to performance data.

SportVot

This is a live steaming service for community-based and grass roots sports and tournaments. The founders claim that only 1% of all sport (in terms of actual participation) is televised, so this is designed to bring access to local sport enabling organizers to broadcast (OTT) their competitions using standard smart phone devices. The platform monetize the content via streaming fees and advertising.

Next week: Same, same – but different?

 

More Music for Lock-down

Last year, as Melbourne was entering its second, lengthy lock-down, I listed some of the music that helped to sustain me during the endless days of working from home. Now, as the city faces another (twice-extended) 4 week lock-down, music is one of the few pleasures still available….

My updated list includes:

Eduard Artemiev – Solaris (Original Soundtrack) A science fiction film from 1972, and in the vein of JG Ballard or Brian Aldiss, it concerns the strange psychological illness that afflicts scientists on-board a space station orbiting the planet Solaris. The slightly claustrophobic electronic score is offset by a number of compositions by JS Bach. Note the early Zoom call and all-day PJs featured in the accompanying stills from the film.

Various Artists Pacific Breeze: Japanese City Pop, AOR & Boogie 1976-1986 Perfect antidote to lock-down blues, this compilation of mostly up-tempo numbers reveals more depth below the shiny surface – the arrangements, choice of textures and compositional structures make this more than just easy listening. (Released by the excellent Light in The Attic label, there’s also a second volume, plus related compilations that focus on the more ambient and experimental end of the spectrum.) Definitely a mood-enhancer.

Hans-Joachim Roedelius – Drauf Und Dran The prolific Roedelius has released one of the most sublime albums of his lengthy career – which is saying something for an artist closely associated with ambient and minimalist styles. A piano-based album, with very few electronics or effects, the clarity of composition and playing make for a brief but welcome respite from the mental fug of lock-down. In a similar vein, I would also recommend Brian Eno’s soundtrack to the Dieter Rams documentary, and Eno’s recent work with his brother, Roger, the albums Mixing Colours and Luminous.

Mogwai – ZeroZeroZero Another soundtrack, for the TV series of the same name (which I have not seen). Like the Solaris soundtrack, the music is more about the atmosphere than the narrative, and all the more powerful as a result. Also worth mentioning is Mogwai’s recent studio album.

Khruangbin = クルアンビン* ‎– 全てが君に微笑む Khruangbin are a band whose music I heard on a couple of sampler albums, without knowing anything about them. Playing an infectious blend of instrumental Funk, Psychedelia and Dub Reggae, this compilation brings together a number of their early singles (including inspired covers of Serge Gainsbourg and Yellow Magic Orchestra). Rather beautiful for these monochrome times.

Michel Legrand – La Piscine Yet more soundtracks, this deceptively lightweight but lush album, featuring just the right amount of economic violin solos by Stéphane Grappelli (who could let his virtuosity get the better of him), recently got a re-boot for Record Store Day, so it’s pretty hip at the moment. Other soundtrack and library music compilations I have been delving into include Adventures in Soundtracks, The Music Library and Unusual Sounds. Mostly reflecting the anonymous/unsung world of studio session composers and players of the 60s and 70s, most people would recognise at least one or two tunes, if only from their use as samples in other records.

Greg Davis – Somnia Finally, a work of stillness and contemplation – built on sustained drones and minimal instrumentation, this album nevertheless manages to generate immense depth and emotion. Again, perfect listening in this stilted yet listless environment of lock-down, curfew, social isolation and pent-up frustration and sorrow. (Also check out the Davis’ contemporaneous work, Diaphanous.)

Next week: Startupbootcamp Sports & EventTech Demo Day 2021

Getting out of town

This week, if all had gone to plan, I would have been reflecting on my latest stay in regional Victoria. Instead, Melbourne is under lock-down #6, and my mini-break out of the city had to be abandoned. But at least I managed to enjoy a great lunch and a walk in the country, before day release came to an end, and I had less than 4 hours’ notice to get back to town ahead of the latest curfew.

Greetings from Castlemaine – local art for local people….

Despite the abrupt end to my trip, the few hours of freedom were enough to remind me of the benefit (and downside) of living in a regional town.

First, regional and rural towns provide a great sense of belonging. You can experience a form of community in Melbourne’s urban and inner-city areas, but the connections don’t always run as deep, and they can be quite transactional and event-driven – meeting up to watch sport, going to the pub or catching up for dinner. Whereas, regional communities just “are”, and are always there to offer support, especially during challenging times.

Second, people living in regional areas tend to have a very different perspective and outlook on things, with a healthier approach to work/life balance. They have a greater appreciation of the country, nature and the land on which they live – something we can overlook or take for granted in our urban bubbles.

Third, rural and regional towns come with their own individual personalities and identities – something seriously lacking in our sprawling new suburbs with their increasingly cookie-cutter homes, and distinct lack of character.

The recent pandemic has shown that if you can work remotely, and don’t need to meet colleagues or clients face-to-face, regional centres are very attractive locations (even for a temporary tree/sea-change). But while the locals may welcome your city spending power in their shops and cafes, they may not appreciate the impact on property prices.

However, regional towns can take a while to warm to new-comers, and in these edgy pandemic times, strangers are viewed with as much suspicion as they are curiosity. More than once on recent trips I have noticed the locals almost crossing the street to avoid getting too close to the out-of-towners. Not quite dueling banjos (or the country pub scene in “An American Werewolf in London“…), but enough to suggest visitors are not entirely welcome.

Small towns are also notorious for everyone knowing each others’ business, where you can’t even sneeze without the rest of the village knowing about it. It can get to the point of suffocation, along with repressed emotions and dreadful secrets, especially where local traditions are based on very conservative (even regressive) values, beliefs and prejudices. (I was reminded of this recently when watching “The Last Picture Show”.)

In case this reads as overly pessimistic, I should emphasize that I really enjoy visiting regional Victorian towns (lock-down permitting), as they offer a rich variety of scenery and local produce – even if I can’t get there as often as I’d like these days, it’s good to know they are there. (And my wine cellar would be poorer for the lack of choice…)

Next week: More Music for Lock-down