Getting out of town

This week, if all had gone to plan, I would have been reflecting on my latest stay in regional Victoria. Instead, Melbourne is under lock-down #6, and my mini-break out of the city had to be abandoned. But at least I managed to enjoy a great lunch and a walk in the country, before day release came to an end, and I had less than 4 hours’ notice to get back to town ahead of the latest curfew.

Greetings from Castlemaine – local art for local people….

Despite the abrupt end to my trip, the few hours of freedom were enough to remind me of the benefit (and downside) of living in a regional town.

First, regional and rural towns provide a great sense of belonging. You can experience a form of community in Melbourne’s urban and inner-city areas, but the connections don’t always run as deep, and they can be quite transactional and event-driven – meeting up to watch sport, going to the pub or catching up for dinner. Whereas, regional communities just “are”, and are always there to offer support, especially during challenging times.

Second, people living in regional areas tend to have a very different perspective and outlook on things, with a healthier approach to work/life balance. They have a greater appreciation of the country, nature and the land on which they live – something we can overlook or take for granted in our urban bubbles.

Third, rural and regional towns come with their own individual personalities and identities – something seriously lacking in our sprawling new suburbs with their increasingly cookie-cutter homes, and distinct lack of character.

The recent pandemic has shown that if you can work remotely, and don’t need to meet colleagues or clients face-to-face, regional centres are very attractive locations (even for a temporary tree/sea-change). But while the locals may welcome your city spending power in their shops and cafes, they may not appreciate the impact on property prices.

However, regional towns can take a while to warm to new-comers, and in these edgy pandemic times, strangers are viewed with as much suspicion as they are curiosity. More than once on recent trips I have noticed the locals almost crossing the street to avoid getting too close to the out-of-towners. Not quite dueling banjos (or the country pub scene in “An American Werewolf in London“…), but enough to suggest visitors are not entirely welcome.

Small towns are also notorious for everyone knowing each others’ business, where you can’t even sneeze without the rest of the village knowing about it. It can get to the point of suffocation, along with repressed emotions and dreadful secrets, especially where local traditions are based on very conservative (even regressive) values, beliefs and prejudices. (I was reminded of this recently when watching “The Last Picture Show”.)

In case this reads as overly pessimistic, I should emphasize that I really enjoy visiting regional Victorian towns (lock-down permitting), as they offer a rich variety of scenery and local produce – even if I can’t get there as often as I’d like these days, it’s good to know they are there. (And my wine cellar would be poorer for the lack of choice…)

Next week: More Music for Lock-down

RONE in Geelong

Public art galleries need to attract paying customers if their funding derived from government grants is being cut. To pull in the punters, galleries have to resort to “blockbuster” exhibitions. In these uncertain, post lock-down times, the lack of international tourists means that galleries are forced to focus on local audiences. It’s good to showcase local talent in the shape of conquering heroes returning to their roots.

These may have been some of the arguments behind the Geelong Art Gallery‘s decision to mount a retrospective exhibition featuring the work of street artist Tryone Power (aka RONE). Of course, the planning began long before COVID struck, but otherwise the above assumptions would seem to be valid.

Let’s acknowledge the positives of this show: First, it is certainly pulling in the punters, and helping to bring in visitors and their wallets to the town. Second, it is hopefully creating a platform for future exhibitions, and public engagement with the Gallery itself. Third, it’s nice that a locally-born artist is being recognised (even if he has had to travel afar to make a name for himself at home).

Unfortunately, that’s where it ends, for me. My recent visit was probably the shortest time I have spent in an exhibition which I had paid to see. Overall, I found the work vapid – there was nothing of substance (nor anything challenging) underneath the painted surface, or behind the concept of “beauty and decay”. As a street artist, RONE does not have the wit or depth of a Banksy; as a conceptual/installation artist, he’s no Christo. The main images he creates or imposes on his work are highly stylised and extremely idealised portraits of young women – it’s a very limited exploration of “beauty”. At best, the work reveal something interesting about abandoned and overlooked locations. At worst, the installation reeked of interior decor magazines and displayed a taste for romanticised and sentimental kitsch.

Which is all a great shame, because given RONE’s apparent interest in deserted and decaying structures, there is a deep and rich vein of Australian Gothic he could have tapped into. (In comparison, think of the work of Nick Cave, Peter Weir, Peter Carey, Julia deVille, Rosalie Ham, etc.)

Despite the use of physical objects, this exhibition felt very one-dimensional. Artists as disparate as Helen Chadwick, Paola Rego, Cindy Sherman and Rachel Whiteread have all deployed notions of female beauty, decay, abandonment and destruction to far greater effect and impact.

Next week: Intersekt FinTech Pitch Night

Expats vs Ingrates?

Just as we were starting to think that Australia has largely beaten Covid, the past few weeks has seen the topic heat up again on a number of fronts, especially the thorny issue of border control.

First, a series of community outbreaks in and around Brisbane, Sydney and Melbourne were all traced back directly or indirectly to returning overseas travellers. This again brought the hotel quarantine programme into the spotlight – and given the poor record of Victoria’s HQP management (which led to the Stage 4 lock-down for much of last year, as well as causing several hundred deaths among aged care residents), State Governments are under increased scrutiny not to stuff it up (again).

Second, there are something like 35,000 Australian citizens living and working overseas who are still trying to get home. Since many of them are based in countries with escalating infection rates (and extra-contagious strains of Coronavirus), it’s no wonder there is a lot of circumspection about bringing them back in a hurry. While I have a lot of sympathy for those expats who are stranded overseas, at the same time, they went abroad by choice. There is always a risk that international travel can be disrupted, as we have witnessed with increased regularity over the past 20 years, thanks to terrorism, volcanoes, tsunamis and geopolitical events. However, this has not stopped some expats complaining that their fellow Australians don’t want them back; some have been highly critical of this “smug” attitude: “we’re all right, but you can stay away and fend for yourselves”.

Third, the latest domestic border closures left numerous Victorian residents stuck in NSW. Many of them had only recently managed to travel interstate for the holidays, having just emerged from months of local lock-down. No doubt some of those affected may have a bit more sympathy for those Australians stranded abroad?

Of course, all these border restrictions might not be so hard to stomach if we didn’t have the spectacle of professional sports players being flown in (specially from overseas) to hit a few balls around. The fact that one cohort of these international visitors has managed to bring Covid back into the country is not helping. Nor the fact that a few of these over-paid sports “stars” and their partners appear to be acting like spoiled brats as they endure quarantine in 5-star hotels…..

Talk about being ungrateful.

Next week: The Day That Can’t Be Named…

Pitch X – Launch Into A New Decade

Last week I was invited to be one of the judges at the final Pitch X event of 2019 (and of this decade), organised by Academy Xi and Melbourne Silicon Beach Group, and hosted by YBF Ventures. My fellow judges were Abena Ofori of MAP and Michelle Bourke of Foresight Digital.

As usual with Pitch X, each pitch was given 90 seconds to present, and the top 3 were then invited back for a 5 minute pitch. After each pitch, the panel of judges were given time for Q&A. The pitches in order of presentations in the first round were:

MotionAI

Remote monitoring system for people who require care, in case they fall or need assistance in their home. Designed around a combination of machine learning, AI and motion sensors (that don’t track facial recognition). Only decision-based information is sent to the monitoring network.

Sola.io

Investment platform to fund solar power under a virtual power plant structure, bringing together investors and producers, who might not otherwise have access to the financial and production benefits of this renewable energy resource.

Oyumz

Bringing home-cooked meals to the food delivery market. Currently in beta launch, looking to bring on new cooks and suppliers. Limited number of providers at this stage, and having to manage regulatory (food hygiene and licensing) and logistical (delivery, inventory, geography) challenges.

CPAP Buddy

Developing CPAP (Continuous positive airway pressure) oxygen masks, designed for premature babies, and intended to prevent brain damage or other injury that can arise from incorrectly fitted or poorly designed devices. Combines real-time monitoring with continuous visual feedback and detection of interfacial contact pressure.

Travels by TM

Helping people to gain the confidence and resilience to go travelling alone. Part curated travel planner, part counselling course, part self-help guide. As judges, we felt it was difficult to see how this business would scale, given the very personal nature of the service.

Mentor Community

Positioned as a match-making mentoring platform, it is designed to overcome some of the challenges people can experience in trying to find a suitable or appropriate mentor. Very difficult to know what technology is being deployed (to match mentors and mentees), in what is an uneven “market place” – more people seeking mentors than there are people willing or able to mentor them. And no opportunity to examine the financial model.

Fulfilled

Bringing “zero waste” cleaning products to the market. Distributes concentrates, that simply need diluting in water, and avoids the use of single-use packaging. Using Australian-produced botanical ingredients. There was some confusion on the business model – the pitch mentioned a home delivery subscription service, and supplying to professional cleaning companies.

VibeDate

Describing itself as a curated service offering unique and personalised dating experiences. No doubt there is a market for outsourcing your date decisions (or just to get some fresh ideas), but this was another pitch that would be difficult to scale, and again, it wasn’t clear how technology is being deployed in the solution.

PetMate

A total marketplace for pet products, services and solutions that also uses ML, AI and data analytics to track, recommend and predict your pets’ needs.

Cari

Another customised CPAP solution for premature babies, but also targeting neo-natal infants with sleep apnea conditions. Already at prototype stage (and scoping manufacturing options for medical grade silicon), but with at least 2-3 years of clinical trials before achieving medical device approval, the team have already identified multiple channels to market including hospital purchasing committees.

The three winning finalists were 1st: Sola.io; 2nd: MotionAI; and 3rd: Cari

As part of their prize, the winners will be featured in this blog in the near future. Stay tuned for more updates…

Next week: Signing off for Saturnalia