“I blogged the news today, oh boy…”

In the week when eyewitness photos posted on social media helped to break the story of an Indonesian aeroplane that landed in the sea off Bali, we cannot ignore the potency of Netizen journalism  to create the news (even if we have concerns about accuracy and quality). And in the same week when “The Voice” returns to our TV screens for a 3-month season, we cannot ignore the potency of audience voting via SMS and social media to create new pop stars (even if we have concerns about accuracy and quality….).

As The Beatles might have sung, “I blogged the news today, oh boy…”

News and music are now confirmed as the key social network content for attracting audiences, if recent market activity is any indication of where the competition for eyeballs and eardrums is being played out.

  • Google’s decision to close down its popular Reader service simply drove customers into the arms of the competition. Unless Google rethinks the service closure, or has another product in development for Google+, Readers will be switching to alternative solutions. The community backlash has been significant, which suggests the audience for news aggregation is large, passionate and willing to be loyal to services that meet their needs. (For reviews on a range of Reader substitutes, see the links below.)*
  • Just a few days ago, LinkedIn announced it has acquired Pulse, a news-aggregation app, as part of a strategy to enhance its news content and build on LinkedIn Today’s curated news feed. Pulse is promoting itself heavily as a Reader replacement, so I am curious as to when LinkedIn settled the purchase price for Pulse – was it before or after Google’s March 13 announcement about the closure of Reader?
  • At the same time, Twitter has followed up its recent announcement to introduce better contextualization for trending news stories with the curious (but not surprising) decision to acquire We Are Hunted, a service that helps users discover new music, based on internet-sourced analysis of what other people are listening to. Expect to see millions of Justin Bieber fans tweeting his #music as a way to influence what Twitter pushes to its audience… and then wait for the feedback
  • Meanwhile, the other Justin has been working on the relaunch of Myspace as a “free” streaming music library (because no-one actually buys this stuff anymore, do they….?) Based on personal attempts to explore the new Myspace and upload my own music to this platform, it would be fair to say this relaunch is an “extended beta” version
  • Oh, and in case you missed the story, Yahoo! bought Summly, another news aggregation app, developed by someone younger than Justin Bieber…

* Here is a non-exhaustive and random selection of blogs offering reviews of Reader substitutes:

Life Hacker: Five Best Google Reader Alternatives

Extreme Tech: Google Reader Replacements

Edudemic: Google Reader Alternatives

Digital Trends: Best Google Reader Alternatives

CNET TV: Alternatives to Google Reader

 

“If it’s not on Facebook, it didn’t happen…”

I truly fear the day, probably some time in the very near future, when the phrase, “If it’s on Facebook, it must be true…” is used in open court as factual evidence. Not because I especially distrust this particular social networking platform, but because it would imply that social media has become a document of record. This would mean that content from Facebook and other social networks could be cited in court as evidence of information being true, of an event having occurred, or of a person (or object) actually existing.

Many commentators have explored this question of social media and “did it really happen” either in the context of existentialism (“I Instragram therefore I am”), or in respect to social media etiquette (“just because you can, doesn’t mean you should”). I am more concerned with what happens when we start to place inappropriate reliance upon content and information published via social media?

It took a number of years for faxes and e-signatures to be accepted in court as evidence of a document having been executed or a legally binding agreement having been created. E-mail is now admissible as evidence that a formal notice has been served between parties to a contract.

In some situations, e-mails and text messages are cited in court proceedings as evidence of a person’s promises, denials, deeds, opinions, state of mind or intent. “Smoking gun e-mails” are not uncommon in major court cases, and many organizations are required to archive e-mails and instant messaging for the very purpose of maintaining a “paper trail” in the event of future legal proceedings.

But I think we are far from ready to recognize social media as an official document of record, even though many users treat these platforms as a primary source of news and information.

Recently I was speaking to a Gen Y acquaintance who admitted that she got much of her daily news via a group of Facebook friends, who each post stories or news items as they hear or read about them on Facebook and the media. Given the immediacy of such “news bulletins”, the fact that this might be second-hand news does not seem to matter – “peer recommended” or “peer referred” information is often deemed to be just as reliable as the official or primary source, even if the content is selected on the basis of the number of “Likes” or how prominent it appears in search engine results.

Of course, Facebook, Twitter, Google, Yahoo and their users are vulnerable to legal action if they propagate libelous or other offensive content; and as we know, this material can be used as evidence in criminal and other legal proceedings relating to cyber-bullying and hate speech, etc. That, I have no issue with.

Equally, I have no problem if social networks are used to announce births, deaths and marriages, or if companies want to communicate with their customers and suppliers via social media. If a customer seeks to rely upon the terms of an offer placed in a retailer’s Facebook page, that is no different to relying on a newspaper or broadcast advertisement. But let’s not equate publication on social media with our obligations to register or file certain events and official notices with the relevant authorities.

Social media allows each of us to be anonymous or hide behind assumed identities, and to publish what we want within the limits of free speech and other legally defined parameters.

But there is nothing to say that any of the stuff that we publish about ourselves has to be true or accurate, and I would be aghast if that was ever made a pre-condition for using social media. Social media is a wonderful platform for expressing opinions and exploring different aspects of our lives and our personalities, and it is precisely for this reason that social media is incapable of being regarded as a document of record.

Social Networks – All the News You Can Eat

The New York Times‘ motto, “All the News That’s Fit to Print” was modified to “All the News That’s Fit to Click” when the newspaper went on-line. But based on the heated competition for on-line readership, as we move from dedicated news platforms to internet  megastores, and as news content pricing and business models are savaged by social media, the rallying cry is more like “All the News You Can Eat”.

It’s clear that social network sites are stepping up their efforts to attract more readers for on-line news content, if recent events are anything to go by:

1. Google rethinks its strategy for the Reader application, which will no doubt resurface in a new form within Google+.

2. Facebook announces changes to its news feed as it aims to create a highly personalized newspaper experience.

3. Twitter plans to introduce better contextual analysis around trending stories.

4. Yahoo! makes a splash with its purchase of Summly – a news aggregation app which has now been shut down prior to integration within the Yahoo! platform.

5. Even LinkedIn has been getting in on the act with its LinkedIn Today content aggregation tool.

Defining what constitutes news is no longer determined by the traditional business models for print and broadcast media. “Old-school” factual reporting (the “who, what, where, when and how”) combined with informed opinion and analysis (the “why”) is now something of a dying format. In its voracious appetite for content, social media is willing to slap the label “news” on anything that moves. So, one person’s news is another person’s gossip, trivia, PR, party political spin, advertorial or propaganda. All very post-modern and structuralist – the news is whatever you make it.

In response, established newspaper media are building pay walls around their on-line product, to offset the decline in print sales and classified advertising, even though most social media sites are offering “news” for free. This point is significant, because not only does this make it harder for newspapers to charge for content, the proliferation of free metro newspapers in many cities means that paying for a newspaper is something of an anathema to most people. Why on earth would they pay for on-line news content?

While it is understandable that newspapers want to charge for their content, they would be seriously misguided if they continue to see the content alone as the product. Of course, a reliable news service is expensive to produce, but the cost to the consumer should also be about quality, access and convenience. What we are paying for is the newspaper’s role as author, editor, curator, archivist, publisher, aggregator and distributor. In some cases, newspapers are recognized as a document of record – but we are probably some way off granting social media sites the same status.

What are the likely outcomes from this competition for news readership?

Initially, the traditional news media will continue to suffer declining print circulation, and will be challenged to make pay walls work. Stronger news brands with even deeper pockets will probably survive, but  they will need to think about upgrading their content syndication business models to remain relevant within an on-line and social media environment. There will be more apps and tools for personalized news aggregation, but only if these platforms can access or license enough content to be viable, and only if they can monetize the offering to be financially sustainable.

The great irony is that few of us want to rely on a single news source, but we want the convenience of getting all our news in one place.

My guess is that the we’ll see social media sites emerge as “news supermarkets”. They will source content from various suppliers, with whom they will engage in trading terms akin to practices commonly seen in the grocery industry: charging for shelf space and product placement, seeking bulk discounts, and adopting strict supply chain agreements. There will even be “own brand” and “house brand” content, plus a range of specialist and localized products to cater for individual tastes.

Alternatively, “news department stores” might emerge, hosted by a few of the major news brands, where they provide a marketplace for third-party content they have carefully selected and curated, along with a core range of content produced by their talented pool of in-house writers and journalists. Or, like IKEA and some up-scale department stores, the products will be store-branded, but designed by and commissioned from their business partners.

In both cases, these news department stores and news supermarkets could be the anchor tenants in large online news malls, where specialist and independent content providers (including bloggers) can set up shop to attract passing readers.

On a final note, the recent media legislation in the United Kingdom, and the attempted media reforms in Australia, have renewed debate around news regulation: who is to be regulated, what is to be regulated (especially on-line), and by whom will they be regulated? While much of this debate is concerned with news media standards and supervision, as well as issues of ownership and control, there is also a need to consider the impact that internet technology and on-line business models are having on the development, dissemination and consumption of news.

In Praise Of Analogue…

Let me start by saying that I am not a technophobe, and I certainly do not consider myself a Luddite. But in this digital age, I do have a certain fondness for all things analogue.

Cassette Culture is alive and well in the analogue world...

Cassette Culture is alive and well in the analogue world…

There are growing analogue trends in:

  • photographyLomography and Polaroid
  • music – vinyl and cassette
  • publishing – zines and artists’ books
  • filmSuper 8
  • graphics – letterpress
  • arts & craftsEtsy and Craftsy

More and more of us are drawn to the charms and quirks of the analogue world, and not out of some perverse counter-culture posturing – we actually like this stuff for its own sake, and for the qualities that it represents:

  • slowness
  • tactile
  • considered
  • basic
  • hand-made
  • imperfect
  • uncomplicated
  • finite
  • flawed
  • serendipitous
  • warm
  • personal
  • custom-made
  • limited
  • simplicity

In fact, these key characteristics of analogue are antonyms of most things digital….

For many people who are using analogue production processes, the medium really is the message; and what you see really is what you get, because the products are usually a true representation of the work and effort that go in to making them.

However, the appeal of analogue is not just about the format or the technology; the inherent limitations of analogue production processes lead to natural constraints which inform the content and determine the final outcome of the finished object. For example, the number of photographs an analogue camera can take at any one time is limited by the length of the roll of film; a vinyl album can carry about 22-23 minutes of music on each side; a plate used in a hand-made printing process can usually generate editions of no more than 30 before it starts to deteriorate.

There are some traditional analogue domains where the digital format does enhance the user experience e.g., digital radio (although I sometimes miss the hum and crackle of AM broadcasts); or where digital technology introduces a whole new dimension e.g., 3-D printing; or where digital can resurrect/replicate a virtual experience of analogue e.g., iOS apps that mimic classic analogue synthesizers.

On the other hand, on-line communities are moving to “analogue” events via meet-ups because being there in person offers a deeper connection. I recently attended an afternoon salon conducted by a digital media agency, because they recognize the need to interact face-to-face with customers.

I anticipate that in response to a growing sense of digital disintermediation, more of us will start to engage with and interact through analogue media. This should not be seen as an out and out rejection of digital, but more as a means to establish balance and to find a deeper level of engagement beyond the often superficial shimmer of digital gloss.

Declaration of interest: the author, under an assumed nom de musique, recently released a limited edition cassette version of his last album, available on-line and from select record stores in Melbourne