Counting the cost of Covid19

Here in Melbourne, we are nearly two weeks into Covid19 Lock-down Pt II, and as we know sequels are rarely as good as the original. The State Government of Victoria has also decreed that anyone under the Stage 3 restrictions has to wear a mask whenever they are outside their home. The irony is that relative to other parts of Australia, Victoria went harder and earlier under Lock-down Pt I, and was later and slower in opening up – in fact, we hadn’t got that far before the second Lock-down was announced.

Some of the details about mask wearing are still a bit vague (what about when I’m driving my car, or playing golf, or in a self-contained space where there is no-one else?), so good luck with the enforcement process. And what significant information do we know now that we didn’t know back in March under the first Lock-down, that somehow made it OK to NOT advocate or require wearing masks four months ago? Could we have made even better progress in suppressing and/or eradicating the virus if we had all covered our faces from the start?

Of course, the major failings by the State Government are evidenced by the apparent human errors associated with the lapses in the hotel quarantine programme, the failure to fully understand the nature (and extent) of key clusters (cruise ships, abattoirs, schools, aged care facilities, fast-food restaurants, logistics centres, public housing towers, and even health care staff), and the inadequacy of community consultation early in the pandemic.

There is also a suggestion that the public became complacent, due in part to the way the politicians and civil servants were telling us how good a job they were doing. No doubt the initial measures were successful in containing the numbers and flattening the curve. So some people over-compensated when Lock-down Pt I ended, and not only disregarded social distancing measures, they started gravitating back to social gatherings, pubs, restaurants and shopping malls. Plus, the undue focus on getting professional sport back on TV helped to suggest things were back to “normal” (even though no games are being held within Victoria).

Some Government spokespeople implied that certain Covid19 conspiracy theories had taken hold in the community, resulting in people not taking the virus seriously. This commentary (that the virus is a hoax, that it is all a plot to curtail individual freedom, and that the “experts” were pushing an authoritarian agenda) has also been linked to anti-vaxers, anti-5Gers and regular members of the tin foil hat brigade. In particular, some conspiracy theories suggest that the pandemic is an attempt to distract us from other issues.

There is a huge human and economic cost to the virus (the number of cases and fatalities, the restrictions on daily life, job losses, business closures and trillions of dollars of government and corporate debt). It will cost a lot more before the pandemic is over and/or we have a viable vaccine. But there has also been a huge cost in terms of public debate and intellectual rigour. Language has become a weapon, science has been politicised (i.e., it shouldn’t get in the way of a political agenda…) and experts have been undermined. Possibly not since Galileo and heliocentrism has science been so poorly debated, irrationally challenged, arrogantly dismissed and badly defended by our leaders – even as some of these same leaders and those around them caught the disease. (OK, the political debate on climate change is another case in point…) If trust in politicians was already at a low, the pandemic is taking a further toll on our democratic institutions. Which suits autocrats, populists, demagogues, fundamentalists and radicals alike in their hatred and contempt for liberal, pluralistic and secular societies.

Choosing to not wear a face mask has apparently become an expression of individual freedom and civil liberty. Whereas I thought wearing a mask during a pandemic caused by a respiratory disease was both common sense and a courtesy to other people.

Next week: Life During Lock-down

 

 

Music during lock-down

Large parts of Melbourne are again under lock-down during Covid-19. I find myself taking even greater comfort in music during the prolonged period of working from home.

This is a personal selection of music that has accompanied the lock-down over the past four months:

1. “Sleep” by Max Richter – if you can’t take the full 8 hours, the 1 hour version “From Sleep” is a perfect way to end the day – music to fall asleep to

2. “The Piano Sings” by Michael Nyman – very personal interpretations of some of his best-known film scores, and as used evocatively throughout “The Trip” series of films (and not to be confused with Nyman’s soundtrack to “The Piano”)

3. “Playing the Piano for the Isolated” by Ryuichi Sakamoto – a specially-recorded live performance for these unsettling times – I’ve also been listening to his recent collaboration with Alva Noto, “Two (Live At Sydney Opera House)”, and Alva Noto’s minimalist interpretation of The Cure’s “A Forest”

4. “Erratics & Unconformities” by Craven Faults – long-form ambient and hypnotic analogue synthesiser compositions that embody the Pennine landscape (which I probably won’t get to see again for some time)

5. The “Selbstportrait” series of albums by Hans-Joachim Roedelius – reflective collections that act like musical diaries

6. “Music for Installations” by Brian Eno – what better soundtrack for lock-down than a series of works created for interior settings…

7. “In A Slient Way” by Miles Davis – nowhere near as famous as “Kind of Blue” or “Bitches Brew”, but just as ground-breaking as a transitional album in the Davis’ catalogue (and a contender for earliest ambient album before the term existed)

8. “New Energy” by Four Tet – for a downtempo/chill-out album, this is incredibly uplifting and joyous – in fact, any of his recent releases are worth investigating

9. “Five Years in The Dark” by Pye Corner Audio – hopefully, we won’t be five years in lock-down…

10. “Live at Empty Bottle/Chicago” by Fennesz – highly abstract but totally absorbing live performance revealing complex harmonics and sublime electronic textures

Next week: Open Banking and the Consumer Data Right