This week’s blog forms another of my occasional musical interludes.
I went to my first rock concert in the mid-70s. Since then, I have probably seen several hundred live performances; at one time in the 80s, I was going to as many as 3 or 4 gigs a week. I have also had the opportunity to meet a large number of professional musicians – mostly from the UK independent music scene. While I don’t particularly subscribe to the notion that you shouldn’t meet your idols or heroes (simply because I don’t see musicians in that light), I’m generally more interested in the music than the person. Admiration for and appreciation of the work is how I would characterise my love of music. So it was something of a departure when I found myself talking to Robert Forster, co-founder of The Go-Betweens, after one of his shows during his recent Australian tour.
During those alternative 80s, while I was living in London, The Go-Betweens (along with fellow antipodeans The Triffids, Nick Cave, The Moodists, The Scientists, Ed Kuepper, The Chills, The Apartments, The Bats and Jim Thirlwell) were regulars on the UK concert circuit. I first heard The Go-Betweens via a semi-obscure 7″ single they released on a minor Scottish label in 1980. But it wasn’t until they released the song “Cattle and Cane” in 1983 that I really took any notice, and started to see them whenever I could when they toured London.
Through some friends who worked in the music business (and who used to put me on guest lists, get me backstage passes, or give me promotional copies of records) I vaguely recall being in a bar after one Go-Betweens gig, and having a drink with Grant McLennan. Another time I saw them perform a “secret” gig in a tiny North London pub, where they were mysteriously billed as “The 16th Century”. I even have a bootleg cassette of a concert I attended in December 1985, which previewed many of the songs from their breakthrough album, “Liberty Belle and the Black Diamond Express”, released the following year.
After The Go-Betweens split in 1989, I didn’t keep up with either Forster’s or McLennan’s solo work, nor the records they made when they reformed the band in 2000. But I often revisited that first body of work, especially the albums “Before Hollywood” and “Spring Hill Fair”, which are still my favourites.
Fast forward to 2019, and there I was in the audience at Meeniyan Town Hall, in South Gippsland. Around 200 people filled this tiny venue, which has an amazing sound-system, enjoying Robert Forster and his band play songs from his recent solo albums, as well as some less obvious choices from The Go-Betweens’ back catalogue. It was a great performance.
After the show, as we filed out through the foyer, my significant other prompted me to buy some merchandise, have it signed, and meet the artist. I talked about the times I’d seen The Go-Betweens in London during the 80s, and Robert was gracious and charming. He even posed for a photo, and encouraged me to get that bootleg cassette out again (“that was a significant show for us”).
So sometimes it’s OK to meet the artists and musicians whose work you enjoy.
Next week: The Pleasures of Melbourne Recital Hall